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They hated the flat, primitive style. The Feminism and Visual Cultural Reader.
Rejecting his traditional art training, Manet chose instead to paint with bold brush strokes, implied shapes, and vigorous, simplified forms. As if this were not enough, he replaced the innocuous lapdog sleeping at the feet of Titian's Venus with a black cat, its back arched and tail raised. While Olympia's pose had classic precedents, the subject of the painting represented a prostitute. The Feminism and Visual Culture Reader.
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Some scholars proposed that the woman is looking in the direction of the door, as her client arrives unannounced. Authority control BNF:
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It may be Olimpia she seems so Prostitutes herself. She's a mistress, or more likely a prostitute, but she Prostitutes as hell isn't a sprite named Springtime. The fact that this Olimpia, a courtesan, is given a face, was cause for Prostiutes lot of uproar.
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Although the nude body has been visual art's most enduring and universal subject, it has often spurred conflict.
- The black cat is often thought of as Satan's minion, and French Olimpia and English pussy designate precisely what Olympia's left-hand so emphatically refuses to the spectator's eye.
- In Prostitutes 19th century many people were painting what they saw as "everyday life". Prostitutes
- The Painting of Modern Life.
- She's there for sex, and she regards the viewer with a look that's part invitation, part dare.
- They hated Olimpia about it.
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